The Echoing Wood of Theodore Roethke (Princeton Essays in Literature), by Jenijoy Labelle
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The Echoing Wood of Theodore Roethke (Princeton Essays in Literature), by Jenijoy Labelle
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A poet's tradition provides him with a sense of community that may be regarded as a necessary condition for poetry. Jenijoy La Belle, who studied with Roethke, here describes the cultural tradition that he defined and created for himself. In so doing, she demonstrates how an understanding of Roethke's sources and the influences on his work is essential for its interpretation.
The author considers the sources of Roethke's poetry and the influence on him of a wide circle of poets including T. S. Eliot, Yeats, Whitman, Wordsworth, Smart, Donne, Sir John Davies, and Dante. In addition, she traces the changes in Roethke's response to his literary past as he moves from his early lyrics to his final sequences. His imitation of selected poets began as a conscious effort but later became a basic component of his imaginative faculties, encompassing an historical attitude and a psychological state.
Originally published in 1976.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Echoing Wood of Theodore Roethke (Princeton Essays in Literature), by Jenijoy Labelle- Amazon Sales Rank: #9555880 in Books
- Published on: 2015-03-08
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .40" w x 6.14" l, .60 pounds
- Binding: Paperback
- 190 pages
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2 of 2 people found the following review helpful. Essential to students of Roethke By Dennis Petticoffer Important new insights into the full body of Roethke's art are unearthed in La Belle's perceptive, highly readable text. Shunning the exclusivity of Roethke's personal vision in deference to his obvious reliance upon literary tradition (specifically, poets such as Wordsworth, Blake, Whitman, Eliot and Yeats), La Belle offers a greater perspective on the depth and scope of the poet's work. A former student of Roethke, La Belle says as much about the mimetic instincts of the poetic method (as a conscious and subconscious servant of tradition) as she does about Roethke's particular style, which developed from direct imitation to an assimilation of poetic tradition in concord with his own creative imagination. She provides, in clear, concise detail, much needed close interpretations of particular poems, placing them, line by line, in direct comparison with their inspirational progenitors. Each point that she makes is fortified by quotations and charged with an intellectual perspicacity which further enlightens the reader. No serious student of Roethke, or of the poetic method in general, can afford to overlook this valuable study.
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