Bless You Bollywood!: A tribute to Hindi Cinema on completing 100 years, by Tilak Rishi
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Bless You Bollywood!: A tribute to Hindi Cinema on completing 100 years, by Tilak Rishi
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May 3, 1913—a historic day in the history of Indian Cinema. India’s first indigenous silent film Raja Harishchandra was released at the Coronation Cinema in Mumbai. This lay the foundation of what, in time, would grow to become the largest film-producing industry in the world. Spanning a wide range of decades, genres, and style, the Bollywood film culture in all its glory is a wonderful thing. Of the hundreds of great hits it has given, some have attained an aura of unparalleled respectability because, overtime, they continue to draw viewers in multitudes for weeks, months, and even years. Bless You Bollywood is an endeavor to pay tributes to the tallest among movie makers, artistes, composers, lyricists, and scriptwriters down the decades for contributing their extraordinary caliber to Bollywood.
Bless You Bollywood!: A tribute to Hindi Cinema on completing 100 years, by Tilak Rishi- Amazon Sales Rank: #2972407 in eBooks
- Published on: 2015-03-18
- Released on: 2015-03-18
- Format: Kindle eBook
About the Author I was born in Lahore as the youngest sibling in a large well-off family of Punjab, where father, the sole provider, worked as the chief representative of Oxford University Press, London. I had just finished high school, winning merit scholarship from Punjab University, scoring very high marks when the family was forced to leave Lahore, which became a part of Pakistan after India's partition in 1947. The family moved to New Delhi to start from scratch, where after graduating with very high grades in law and MBA from Delhi University, I started my career as a corporate executive with Godrej, one of the most reputed companies in India, then the biggest manufacturers of bank lockers, steel cupboards, and furniture. After working there for the first twenty years of my corporate career, I moved on to avail better opportunities in other big companies, taking retirement after a well-rewarded service of over forty years in the corporate sector of India. In the postretirement period, I worked for a while as deputy director (publications) with Institute of Marketing and Management, New Delhi. Side by side, I passionately pursued my hobby for writing and remained a regular contributor to newspapers in India and later in USA. My "Letters to the Editor" in the Hindustan Times, New Delhi, and San Francisco Chronicle, San Francisco, received great respect, as these were invariably published under three to four column headlines or placed prominently in a box. I moved to the United States in the '90s along with my wife, Inderjeet, former principal of senior secondary government girls' school in Delhi, to be with our only son Alok, settled here as a prominent software engineer in Silicon Valley. In the United States, I took to what I wanted to do all my life, writing a book. Many true happenings and characters I came across in life, including interaction with former US president, Bill Clinton, inspired my first book, Paradise Lost a
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1 of 1 people found the following review helpful. Stellar,Thought-Provoking, and Entertaining! By Diva Rishi has written a remarkable book, ambitious in aim, comprehensive in scope, with dazzling depth. This is no dry review of 100 years of Indian cinema, nor an academic treatment of artsy film. No. We're treated to juicy bits of behind-the-scenes glimpses into Bollywood movies and lore. It's chock-ful of fun factoids from the past 100 years and while I'm no Bollywood buff, I found myself fascinated by little known tidbits, e.g. my favorite singer playback Kishore Kumar married to Madhubhala? Hmm, who knew?Though Indian, I'm a product of the Western 'tell-all,' half-truth confessionals. I'm sheepish to admit I wished for salacious bits of dirt. I longed for him to air tawdry laundry of the industry . . . no such luck! You'll find no mud-slinging here. The author is not invested in muck-raking, nor interested in making a buck off our prurient curiosity. Instead, not only do a wealth of films benefit from his obvious respect for the medium, but each individual movie star becomes illuminated by his joy in watching the movies.I stumbled upon an unexpected treasure in reading the book. After finishing it, I felt curiously humbled. But bewildered about why I should feel such. Why and about what was I humbled? I noted the stark dissonance between my expectations for lascivious details about movie stars, for ugly fictions about movies--this is NOT what I had just read. Rishi leaves out gossipy, potentially damning bits. He theoretically could've included them. He chose not to. Unfairly, I leapt to judgement, e.g. "it's incomplete, not the whole truth, etc." I was unwittingly measuring one cultural relativity standard for another--an impossible task!Whereas my expectations reflect my prevailing culture, Rishi's writing reflects his culture: the South Asian commitment to graciousness. The Indian ethos is beautifully reflected in the genteel treatment of his subject, where Rishi preserves the dignity not only of the actors' requisite reputation, but also of their humanity. My projections reflect my seeking cheap thrills, in contrast to this book, which delivers an honest rendering of a true film lover. Though key as entertainment, the deliciousness of this work lies in is its value as anthropological artifact! Reading this book--and reflecting on my responses to it--helped me examine my biases, question my notion of "truth," and expand my definition of what ought to be revealed and what ought to be concealed.I especially love the authors' tracing of silent films to talkies, and its corresponding social significance . . . women's liberation and arranged marriages. The author does not write in a vacuum. Rather, he places Bollywood squarely in historical/social context. This is where the work shines and approaches academia--as much as entertainment. And stimulating it is! The writing is down-to-earth, conversational, accessible; the book does not feel as a reference tome. Instead, as reading experience, it's seamless, effortless and breezy. My favorite chapters near the end of the book: top 100 movies, classic comedies, and costliest box-office crashes. In these, the author's passionate and his fevered enthusiasm shines! His excitement for the medium of film and near encyclopedic knowledge, his vivid memories of watching the movies, and exhaustive research . . . all these come into play. These chapters are a marvel. Of the 100 movies reviewed, I watched four at most. Yet I found myself curiously bewitched by Rishi's descriptions and rendering of each film. Each felt like a mini soap-opera with separate plot and characters . . . I found myself wanting to watch several of the movies he writes about. As a reader, this is the greatest testimony to the greatness of the book: I was left wanting to dive further into the magic of Bollywood :-)!
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