Selasa, 26 Januari 2010

Hotel Worthy, by Valerie Nieman

Hotel Worthy, by Valerie Nieman

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Hotel Worthy, by Valerie Nieman

Hotel Worthy, by Valerie Nieman



Hotel Worthy, by Valerie Nieman

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Check into Hotel Worthy, Valerie Nieman's new book of poems, and you'll never want to leave. There abides in its pages an uncanny past wrought into poems that spring from a memory - from a vast, liturgical acumen - that unites the dead with the living, restores the abandoned, returns the missing. Nieman knows the names of things, how those things piece together, how they sunder; and, while she refuses to lie, her truths are exquisite. This is a startling book. The language - its lyric nuance, its plaintive harmonies, its ceremonial beauty - is unforgettable. In the words of the poet, "Each blow of wood on wood / sets ripples on the water: / deo gratias, deo gratias."Deo gratias indeed - for Hotel Worthy. -Joseph Bathanti, former Poet Laureate of North Carolina

Hotel Worthy, by Valerie Nieman

  • Amazon Sales Rank: #4054525 in Books
  • Published on: 2015-03-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .23" w x 5.98" l, .37 pounds
  • Binding: Paperback
  • 98 pages
Hotel Worthy, by Valerie Nieman

From the Inside Flap Ansel Elkins - Yale Younger Poets Prize 2015: Like a daring archeologist, the poems of Hotel Worthy dig [deeply] into the intimate layers of years, excavating the fossils of memory, love, loss, and family history. These poems compel us to have the courage to emerge from our past shipwrecks and embark anew. 

From the Back Cover Joseph Bathanti: "There abides in its pages an uncanny past wrought into poems that spring from a memory - from a vast, liturgical acumen - that unites the dead with the living, restores the abandoned, returns the missing. This is a startling book. The language - its lyric nuance, its plaintive harmonies, its ceremonial beauty - is unforgettable." Sarah Lindsay: It's a pleasure to hear the quiet, sure voices of these poems, to be caught off guard when some swoop wide at the end like the trumpets of lemon lilies, to be reminded that "the personal . . . holds hands with the larger all the way up." Marc Harshman: From the moment I read the title poem's breathless rush of poignant reflections, I knew I was in the presence of a poet keen to explore life with searing honesty. Prepare your heart - these are poems that matter. Glenna Luschei: Valerie Nieman writes so intimately that I wondered if I had written her poems and I wish I had. Read this book for the surprising images folded into a remarkable journey.

About the Author   Valerie Nieman's second poetry collection, Hotel Worthy, was published in spring 2015 by Press 53, which also published her debut collection, Wake Wake Wake. She was a 2013-2014 North Carolina Arts Council poetry fellow, and has received an NEA creative writing fellowship in poetry as well as major grants in West Virginia and Kentucky. Her awards include the Greg Grummer, Nazim Hikmet, and Byron Herbert Reece poetry prizes. Nieman is the author of three novels: Blood Clay, a novel of the New South, which was honored with the Eric Hoffer Prize in General Fiction; Survivors; and a science fiction title, Neena Gathering, reissued as a classic in the post-apocalyptic genre. A fourth book, Backwater, is now in submission, and research for a new novel included a month hiking solo in Scotland. She also has published a collection of short stories, Fidelities. Nieman graduated from West Virginia University and Queens University of Charlotte. A former newspaper reporter and editor, she now teaches creative writing at North Carolina A&T State University and at venues ranging from the John C. Campbell Folk School to WriterHouse. She was a founding editor of Kestrel literary journal and currently the poetry editor of Prime Number magazine


Hotel Worthy, by Valerie Nieman

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0 of 0 people found the following review helpful. A Lush and Luscious Collection By MSW New Jersey Poetry, of course, has long been thriving in small presses. In Hotel Worthy by Valerie Nieman each poem is serious–not meaning without humor, because they are witty and often brilliant in their word experiments– but rather always reaching as far as they can go--serious as the opposite of superficial. A poem like "Stratigraphy," for example, starts with an archaeological site and brings us twenty-first century readers back to our ancient progenitors. Nieman makes this identification so smoothly that you feel suddenly that you are one of the ancient makers of the engraved figures. Another good poem connecting us to ancient archeological sites is "The Guide: Cave Paintings at Fonte de Gaume," which takes another strategy and gives us the story of the guide's grandfather who, with his friends, marked the old cave paintings with graffiti.We then, in Nieman's poems, are led to identify with the ancient artists, the scientists, and the careless adventuring boys– just for starters.I have known Valerie Nieman's novels better than her poetry, so I'm not surprised she can tell a story–but I am awed that she can do it so compactly, with such brilliant attention to imagery and dreams and words. The title poem, "Hotel Worthy," written in full-justification chunks, is a splendid evocation of her own childhood (and much of mine!)– not the nostalgic parts, but the parts when you are trained and shaped in ways that your adult self may have to reject. Balancing this psychological depth are other poems like the wonderful "Live With It" in which a woman takes a stand in favor of her own body:It's not my hairy body that offends you,but my hairy mind,mammalian, full of heat..... But to focus on the personal poems would be to miss the breadth of Nieman's collection: the archaeological poems are one part; there are also poems drunk on words like "Spandrel;" lots of nature and natural phenomenon for which she has precise language; poems about gardening and harvesting and other work. Even road kill gets a poem. The collection ranges widely, but its intelligence is always grounded in objects and bodies. Almost at the end is a several part poem with apples called "A Blessing on the Tongue" that describes "the narrow hips of Red Delicious" and then ranges into history and the naming of apples like King Luscious, and the derivation of the word Luscious. A lush and luscious collection.

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Hotel Worthy, by Valerie Nieman
Hotel Worthy, by Valerie Nieman

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